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Cheng-Khee Chee

Watercolor Painting / The Many Styles of Cheng-Khee Chee


Cheng-Khee Chee is a master of painting and design. He has been on a life-long quest to understand the natural tendencies of watercolor media, acquire an intimate knowledge of each subject and apply the technique that best expresses each subject, effortlessly.

Cheng-Khee Chee has mastered and synthesized Eastern and Western philosophies and created styles that have stretched the boundaries of watercolor media. In the six-part watercolor instruction video set, you will learn watercolor methods and techniques as well as vision-expanding design principles that will transform your painting. [continued…]


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Watercolor - Introduction and Interview with Cheng-Khee Chee, Vol.1

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Watercolor - The Traditional Watercolor Approach by Cheng-Khee Chee, Vol.2

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Watercolor - Saturated Wet Technique by Cheng-Khee Chee, Vol.3

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Watercolor - Improvisational Splash Color Technique by Cheng-Khee Chee, Vol.4

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Watercolor - Crinkling Paper Technique by Cheng-Khee Chee, Vol.5

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Watercolor - Marbleizing and Monoprinting Techniques by Cheng-Khee Chee, Vol.6

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Book - Watercolor - The Work of Cheng-Khee Chee

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Watercolor - The Many Styles of Cheng-Khee Chee - 6 Volume DVD Set

Retail Price: $229.70
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Cheng-Khee Chee photo

Cheng-Khee Chee (continued)


Cheng-Khee Chee's 6-DVD series, “The Many Styles of Cheng-Khee Chee”, presents an extraordinary opportunity to learn about Chee’s philosophy and painting styles by studying directly with the Master, up close and personal.


Instruction Video / DVD Series Contents:


Volume 1: Introduction & Interview:

Cheng-Khee Chee has dedicated his life to the excellent expression of the synthesis between his inner vision and outer world, which he feels is the source of ART. In tape one, Chee discusses his Taoist philosophy and how it has influenced the development of his five distinctive styles (the subjects of tapes two through six) each suited to most effortlessly express Chee’s feelings towards each particular subject.

The “underpinnings” of all his techniques reside in his philosophy. Volume one includes Chee describing his artistic principles and collecting resource materials (“It’s like having money in the bank!”). He describes each of his watercolor styles and presents beautiful examples of each. Cheng-Khee discusses the responsibilities of being a teacher; consistency; personal goals; mentors; criteria for judging; handling rejection, and so very much more!

Volume 2: Traditional Watercolor Approach

In this workshop, Cheng-Khee Chee paints a Southeast Asian, city, scene using his “Traditional Watercolor Technique.” You watch him working from several reference photos and a studio study on moist paper blocking in large shapes and figures. He shares his thoughts as he evaluates his painting on an easel. Learn how he thinks about and makes adjustments to strengthen his design.

Volume 3: Saturated Wet Technique

Cheng-Khee Chee uses this approach for painting subjects such as goldfish, koi and flowers. In this workshop he creates a painting of three koi in a saturated background of color.

Volume 4: Improvisational Splash Color Technique

Cheng-Khee Chee demonstrates the method he uses for painting rocks and mountainscapes. He uses a broad brush charged with color, swept over a gel-medium-coated surface. The paint is immediately repelled, creating tensions and other unexpected and exciting textural effects resembling rocks and mountains.

Volume 5: Crinkling Technique with Oriental Paper

Cheng-Khee Chee uses this method for painting tree forms and other highly textured subjects. You will see how Chee uses crinkled wet paper, ink and color to create a garden painting.

Volume 6: Marblizing Technique and Monoprinting

In this art instruction video, Cheng-Khee Chee shows how the ink marbleizing technique creates images suggesting spiritual, visionary and dreamlike worlds. This technique, involving floating ink on water, originated in ancient China and was also practiced by Shinto priests in Japan as a sacred art practice. The process invariably suggests the images of moving clouds and water interlocking with mountains and rocks.

In the second part of Volume 6, Cheng-Khee Chee presents his Monoprinting Plus Painting technique which involves splashing ink and watercolor on a piece of white enameled masonite, guiding the colors to run and mix in the desired way and transferring the image to a sheet of absorbent rice paper. After drying the paper, a painting is developed from the background texture.


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